If Radiohead, A Perfect Circle, Sunny Day Real Estate, Blonde Redhead, and the Arcade Fire were crammed into an elevator CIRCA VITAE is surely the illegitimate love child that would spring out on the 5th floor.
CIRCA VITAE began to form in early 2007 with Nate Beveridge and Thaddeus Moore, as Bass and Drums respectively. They were joined shortly thereafter by Britt Brady on guitar and vocals, and Wesley Curtis on guitar.
They spent the next year writing material and playing a handful of shows. A couple members came and went, helping the band to grow and evolve to what they are today. Most recently was the addition of Anna Ponto, whose feminine backing vocals and multi-instrumental talent has rounded off the group, and has helped the creative process of the band as a whole.
Punk La Laguna Tenerife Canarias
Speedmatics Lili -guitarra voz, Jonay – Guitarra , Peña -Batería ,Ojo Trueno -Bajo
Top 10 Songs In Australia For The Week of March 26, 2015
This week’s most popular songs in Australia across all genres according to The ARIA Charts, the main Australian music sales charts, issued weekly by the Australian Recording Industry Association
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Jenny Woo from Canada performing “Sound of the Scene” at Street Punk Allnighter at Zoccolo Club, St Petersburg, Russia, October 20, 2012.
Bass Cover by Rene Dexter
Equipment used in video:
Ibanez Gio SoundGear IJSR190-RD
Ampeg BA-112 V2
Artist: The Offspring Album: Smash Song: Gotta Get Away
Free video about Synthpop song . This free video was created for you by http://epsos.de and can be used for free under the creative commons license with the attribution of epSos.de as the original author of this Synthpop song video.
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The electronic music is a type of music produced and performed predominantly with electronic musical instruments such as the synthesizer, the sampler, the drum, the sequencer, and more recently, computers, thanks to the increasing developments in technology and software, play a vital role in the production of contemporary electronic music. It also typically use electromechanical instruments such as electric guitar or the Hammond organ. There are a lot of electronic music genres, showing a very wide range of sounds; from the background music to the music industry more experimental, to styles such as synthpop, dance, hip hop or chill out, they all have in common is the predominant or exclusive use of electronic instruments.
Synthpop or synth-pop or synthpop denotes a pop style in the 1970s within the electronic dance music, whose main feature is the use of electronic instruments as a style element. This traditional instruments should not simply be replaced by electronic music. Instead, it was started as a trial order, new artistic ways of creating sound design and style to go.
In addition to synth-pop, the terms “are electro “and” Technopop “is used, the precise definition and limitation are discussed differently. What is meant is a produced with synthetic sound generation and / or pop music samplers, depending on the musical emphasis. Nevertheless, not every pop music electronically generated automatically called synth pop.
In the triumph of techno -movement of the synth-pop was pushed back into the ground. There, especially bands like led De / Vision, Second Decay, Elegant Machinery and Pitch Yarn of Matter typical of the 1980s sound on. With the advent of ever more powerful PCs from the mid-1990s keyboard synthesizer and sampling machines disappeared progressively and thus gradually the classic synth-pop.
At the same time, there was a brief synth-pop revival, but the one major success was denied. Setting the tone here were mainly Swedish and German labels such as October, with bands like Children Within, Kiethevez, Vision System, Forbidden Colours and State Machine, and Visage Records, with groups such as the Daily Planet and Point of View.
While the most common in the industrialized world is on popular music with electronic instruments, Synth-pop has its own stylistic tendencies that differentiate it from other music produced by the same means. These include the exploitation of artificiality (synthesizers are used to mimic acoustic instruments), the use of mechanical rhythms, vocal arrangements as a counterpoint to the artificiality of the instruments and the model ostinato effect. Structures Synth-pop songs are generally similar to popular music.
The Synth-pop origins date back to the development of synthesizers and Electronic music, but its real development began when the pioneers of Electronic Kraftwerk recorded their fourth album Autobahn in 1974, changing the development of Electronic music and popular. The use that was given to synthesizers by the then trio of Ralf Hütter, Florian Schneider and Wolfgang Flur catapulted to international success. His revolutionary work, futuristic and original for the time, would be instrumental in the development of music in later years and would influence strongly the artists that would come a few years later, especially in the United Kingdom.
In Germany, Synth-pop movement began from the age of Kraftwerk after launched its first self-titled album in 1970. Kraftwerk, who had come from the movement of progressive rock, decided to go further with sound experimentation creating an innovative multidisciplinary concept future generations of Electronic music. The most important exponents of Synth-pop in Germany are Alphaville, Kraftwerk, Celebrate the Nun, Camouflage and Modern Talking.
In the new millennium, a renewed interest in Electronic music and nostalgia of the 1980s led to the beginnings of a revival of Synth-pop, with acts such as Fischerspooner and Adult. In 2003-2004 they began to move into the mainstream with Ladytron, The Postal Service, Cut Copy, The Bravery and The Killers all producing records that synthesizer incorporated vintage sounds and styles that contrast with the dominant genres Post-grunge and Nu Metal.
The synthpop is defined by the use of synthesizers, drum machines and sequencers, often used to replace other instruments. Synthesizers usually used to mimic the sounds of orchestral instruments clichés. The songs were also included, and the lyrics were generally optimistic inspired themes such as romance.
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This one turned out way different then what I intended. It was meant to be some heavy stuff, but as you can hear, it’s actually pretty mellow, kind of 90s ballad-ish. Still, there’s potential for the clean guitars to be counter-balanced by some heavy guitars in a verse chorus structure in the future.
Let me know what you think! 🙂
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This is a multi-camera shoot I conducted in 2012 of Xi’an, Shaanxi province-based ska punk band SUCKER, recorded live on day one of the 3rd WUHAN PRISON PUNK FESTIVAL held at VOX livehouse in Wuhan, Hubei province, China (PRC).
SUCKER are: Frank: Guitar/Vocals, Zhang Hui: bass/Vocals, Xiao Yue: Lead Guitar/Vocals, and Xian Jun: drums.
2.) Boring Song
7.) Rude Soul
10.) You Are Not Alone
11.) Rock and Roll
SUCKER are good guys and keep the punk rock torch lit. It was a tremendous pleasure working with them. All of their hard work is starting to pay off. Steve, from BIG D. & THE KIDS TABLE produced their new album (he previous worked with Beijing’s BRAIN FAILURE a few years ago). “Rude Soul” may have secured distribution in America through Fork In Hand Records, which I believe is the record label started by BIG D & THE KIDS TABLE (Boston). I’m happy to see mi amigos break through. Maybe they can finally tour the States, which is something that have always aspired to do. If you get a chance to see them in China, tell them the Shanzhai Laowai recommended you.
Their official Douban page:
This video is uploaded under the Creative Commons Noncommercial-No Derivative Works 3.0 agreement. I am the owner and creator of this video.