hard rock music (instrumental) and visual

http://alternovo.com/strategie/



Paint splash — Просута боjа — Выплеснутая краска – Yìchū de yóuqī – Verschüttete farbe – Des éclaboussures de peinture – गिरा रंग – Dökülen boya – χυμένο χρώμα – الطلاء المسكوب – צבע שנשפך

source

Showtime Tribute 80’s Hard Rock Band Looks That Kill…





Live at the Spirit of 66, Verviers, June 9, 2012 : Looks That Kill (…) taken from Motley Crüe’s second album “Shout At The Devil”. (Nov. 1983).

source

Howlarts 2014.11.06 Sam Shalabi & Stefan Christoff [2nd Set]





Howlarts 2014.11.06 Sam Shalabi & Stefan Christoff [2nd Set]
Howlarts_Live (vidéos): https://www.youtube.com/watch?v=BfvsO8yNDW4&list=PLDEwmlC7TKbwTX94tnEiEuz8Hdo3lAbgA

.

https://www.facebook.com/events/369226403202384/

Flying Street الشارع الطيّار – Sam Shalabi + Stefan Christoff
Jeudi/Thursday 6 Novembre 2014, La Sala Rossa

Flying Street — الشارع الطيّار

Sam Shalabi oud / Stefan Christoff piano

recorded winter 2014 @ La Sala Rossa in Montréal
mixed / recorded by Adrian Roy Taylor
album art work / design by Nazik Dakkach
accompanying photo by Thien V

info http://howlarts.net/flyingstreet

side a

Elephantine
Flying Street

side b

Blue Soon
Revolution in Orbit

A duet album that extends an ongoing musical conversation between Shalabi and Christoff, this album recorded at La Sala Rossa builds on a dialogue between Cairo and Montreal. Inherent to these recordings is an urgency to always question both musically and politically, the tones expand on a dialogue between the musicians about their experiences working within grassroots arts and activist worlds that are inherently connected to growing movements to overturn injustice

Sam Shalabi wrote in The Wire magazine about this album

http://www.thewire.co.uk/audio/btr/below-the-radar-16/14

Our duo began as a friendship that grew out of long conversations about music, social justice and politics and then evolved naturally into this musical dialogue. The core of our approach is to continue that conversation and hear how these two mother instruments (maybe the two most weighted down by their own respective traditions and tropes) might speak directly and simply to each other through improvisation. This piece is named after a Nubian Island in Aswan, in Upper Egypt and is inspired by it and music from the region

Sam Shalabi is an Egyptian-Canadian composer and improviser, living between Montreal, Quebec and Cairo, Egypt. Beginning in punk rock in the late 70s, his work has evolved into a fusion of experimental, modern Arabic Music that incorporates traditional Arabic, shaabi, noise, classical, text, free improvisation and jazz. He has released 5 solo albums (including ‘ On Hashish’- a musical meditation on German writer Walter Benjamin, ‘Osama’, an audio collage on arabophobia in the wake of 9/11 and his most recent ‘music for Arabs’), 5 albums with Shalabi Effect, a free improvisation quartet that bridges western psychedelic music and Arabic Maquam (scales) and 3 albums with Land Of Kush (experimental 30 member orchestra, for which he composes). He has appeared on over 30 albums and toured Europe, North America and North Africa. Current projects include the release of the 6th Shalabi Effect album, a duo album with Stefan Christoff, two albums on the Italian label Sagittarius, with Beirut, Turkish and Egyptian musicians and a recent tour in the eastern U.S with Alvarius B, where Sam played solo Ud (Arabic Lute). He is also premiering a new composition for ud and electronics in a series of performances in late 2014 as well as releasing an album with The Dwarves Of East Agouza, a Cairo based trio with Maurice Louca and Alan Bishop in 2015

Stefan Christoff is a writer, community organizer and musician living in Montreal, as a pianist Stefan has worked on numerous projects over recent years including Duets for Abdelrazik, an album aiming to express solidarity with the struggle of Sudanese-Canadian Abousfian Abdelrazik who was exiled, jailed and tortured in Sudan with the active complicity of the Canadian government. Also Stefan worked on a series of recordings at La Sala Rossa, including two albums of duets with Sam Shalabi on oud, the first родина and the second Flying Street both are rooted in a developing collaboration extending between Cairo and Montreal. Stefan also has released two eps, the first Temps libre recorded within the context of the Quebec student strike and the second Wire Tones recorded with double bass player David Parker in Kingston, Ontario at the Artel. Stefan is active in Montreal within both activist and artistic initiatives and works a lot on projects around the Howl arts collective. listen to sounds by Stefan at : soundcloud.com/spirodon

//// Howl! arts collective
http://howlarts.net/ – info(at)howlarts.net
http://facebook.com/howlarts
http://twitter.com/howlarts”

source

Indie Romantic Rock Creative Commons [VITNE – Rest In Peace] [CCFM Music]





Creative commons & free music, allowed for live streaming & monetization | Subscribe to CCFM channel → https://goo.gl/rtpYXr

Author/Track name: VITNE – Rest In Peace
Vitne: Vocals and acoustic guitar
Matthew Sean Reynolds: Mixing
Takanori Yamaguchi: Mastering

Release & link for Download: https://www.jamendo.com/track/1225970/rest-in-peace

Follow VITNE :
• Website http://www.VITNE.net
• Jamendo https://www.jamendo.com/artist/454118/vitne
• Facebook https://www.facebook.com/VITNEOfficial
• Twitter https://twitter.com/VITNEOfficial

======================================================================

Musical composition licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported (CC BY-SA 3.0)
http://creativecommons.org/licenses/by-sa/3.0/

You are free to:

Share — copy and redistribute the material in any medium or format
Adapt — remix, transform, and build upon the material
for any purpose, even commercially.

The licensor cannot revoke these freedoms as long as you follow the license terms.

Under the following terms:

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.

ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.

No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits

___________________________________________

ссf,
ссfm,
101cc,
cc101,
101ccf,
cc 101,
101 CC,
101%CC,
101% CC,
ccmusic,
music101,
101music,
Cc Music,
free mp3,
free songs,
ccfm music,
License Cc,
Free Common,
101cc music,
Common Music,
cc 101 music,
free music 101,
101 Free music,
101% Free music,
creative license,
Licence Creative,
creative license,
nocopyright music,
music mp3 download,
music mp3 download,
Commons Commercial,
royalty free music,
music mp3 download,
no copyright sound,
no copyright sounds,
free songs download,
Attribution Creative,
Attribution Creative,
101 NoCopyrightMusic,
creative common music,
101% NoCopyrightMusic,
music creative commons,
free mp3 music download,
free music for projects,
free royalty free music,
creative common license,
free mp3 music downloads,
creative commons license,
creative commons licenses,
music for monetized content,
can be used in monetized content,
creative commons music, creative commons search

===============================================

source

Pop State of Mind 2015 40 Song [Mashup]





Inscreva-se e dê joinha. 😉

source

Daft Punk vs Grandmaster Flash – Daftmaster Flash (TigerVegan MATH-up!)





Free Download here – http://soundcloud.com/tigervegan

You can dance to it!.. as long as you can keep up with all the time changes and syncopated chopped-up rhythms 😉

For the people who dig this kind of info, i basically chopped the fuck out of the Daft Punk track and manually re-structured it into a mathy mass of changing time signatures and rhythms, cutting the Flash vocals to fit with the new patterns – BUT, with an emphasis on keeping the storyline of The Message coherent, so you still get the wicked storytelling flavour of the Flash track coming through – albeit with a slightly more surreal storyline (!!!!!).. rats.. baseball bats.. you’ll get the picture.

FEATURES :-

Grandmaster Flash – the message (vocals)
Daft Punk – short circuit (music)

Plus lots of FX and extra synthy parts thrown in by me for spice & spice (yes, more spice).

Check out the rest of the TigerVegan mash-ups & remixes if you dig this kinda thing. Peace x

source

Feat The Sweet Apes We Are Never Ever Getting Back Together (Pop Punk Cover)





The Sweet Apes We Are Never Ever Getting Back Together (Pop Punk Cover)

Music Credit: https://youtu.be/G12sdBRn9do

YouNow Channel: https://www.younow.com/HGXFEAR

Instagram: https://www.instagram.com/hgxfear/

Soundcloud: https://soundcloud.com/amy-ellen-8

source

#052 Descendents “Testosterone” @ Punk Rock Holiday (09/08/2016) Tolmin, Slovenia





Este tema forma parte del concierto que Descendents ofreció el segundo día del festival Punk Rock Holiday que tuvo lugar el 9 de agosto del 2016 en un entorno paradisíaco como son las inmediaciones del Soča River en Tolmin, Eslovenia.

PlayLIST [All-IN] x150: “nrK7 (Punk Rock Holiday): Viaje al paraíso del Punk Rock”

——————–
“Testosterone” es el tema 06 del disco “Hypercaffium Spazzinate” (2016)
——————– Lyrics: ——————–

Need it bad, someone gimme a dose
Need it bad, testosterone
I’m not God… I wanna be one
[x2]

Good things don’t come to those who wait
They only come to those who take
I waited so long to have my chance
They told me I didn’t have what it takes
So slam it right here in my vein

Need it bad, someone gimme a dose
Need it bad, testosterone
I’m not God… I wanna be one

So gimme more – no, gimme all of those
I want the lion’s share… I know
I’m not God… I just wanna be one, yeah

And all you fuckin’ dicks who beat your chest
Don’t even think that I’m impressed
But they’re trying to take my wife,
My life, my job, so…
Right now I need something for my brain
Right now I need to go insane
Insane

Need it now

——————–
Descendents es una banda de punk rock procedente de Hermosa Beach, California, un suburbio de Los Ángeles, Estados Unidos. Fue formada en 1978 por Frank Navetta, Tony Lombardo y Bill Stevenson, a los que se unió Milo Aukerman dos años más tarde. Tras más de 30 años de carrera musical, la banda ha lanzado 7 álbumes de estudio y su último trabajo lanzado a finales de julio de 2016 se llama “Hypercaffium Spazzinate”.

Descendents:
http://descendents.tumblr.com

https://www.facebook.com/thedescendents
https://www.instagram.com/descendents
http://epitaph.com/artists/descendents
http://kingsroadmerch.com/descendents/

Punk Rock Holiday:
http://www.punkrockholiday.com

https://www.facebook.com/punkrockholiday
https://www.instagram.com/punkrockholiday
*The best Punk Rock party on the most amazing location in the World!

———————-
1) Registrado – Sony MV1 (Audio)
2) Zoom – Sony SR11

1st Day *Recording Memories (RecME 73): http://wp.me/p23YMz-pb
2nd Day *Recording Memories (RecME 73): http://wp.me/p23YMz-pr
3th Day *Recording Memories (RecME 73): http://wp.me/p23YMz-pJ
4th Day *Recording Memories (RecME 73): http://wp.me/p23YMz-pO
5th Day *Recording Memories (RecME 73): http://wp.me/p23YMz-pR

source

Where Is My Mind ? In different styles (cover)





Where Is My Mind ? In different styles (cover)
Full Cover !!!

Styles:

Original
Reggae
Blues
Punk
Metal
Berceuse

Enregistrement: Gibson Flying V Pro T 2016+Xenyx 302 USB+Micro Shure SM48
Montage/Vidéo: Will’s

source

RULE ZERO, Poppunk & post hardcore





RULE ZERO consists of a group of friends whose main focus is building one hell of a party with popunk and old school hardcore

Julia Stuivenberg, Vocals
Dennis Melching, Lead Guitar
Dennis Roering, Rhythm Guitar
Max Mertens, Bass Guitar
Ryan Duursma, Drums

rulezeroband@hotmail.com

source