#023 Antillectual “Soundtrack” @ Punk Rock Holiday (09/08/2016) Tolmin, Slovenia

http://deskmemories.org/pma/



Este tema forma parte del concierto que Antillectual ofreció el segundo día del festival Punk Rock Holiday que tuvo lugar el 9 de agosto del 2016 en un entorno paradisíaco como son las inmediaciones del Soča River en Tolmin, Eslovenia.

PlayLIST [All-IN] x150: “nrK7 (Punk Rock Holiday): Viaje al paraíso del Punk Rock”

———————-
“Soundtrack” es el tema 01 del disco “Perspectives & Objectives” (2013)
———————-

How do you sleep at night? Wake up and smell the apathy
Why don’t we hit the streets? Live life a little less carefree
Less “no”, more “YEAH!”, it seems we’re stuck at “maybe”
Not just a piece of the pie, we want the whole fucking bakery
Fuck fact-free politics ‘mockracy, I can’t believe the state we’re in
Our state ruled by hypocracy, we’re preaching water, drinking wine

Less “no”, more “YEAH!”

Let this be the soundtrack of how you change your life, no-one will do it for you
Let this be the soundtrack of how we change our world, there’s only “us”
When was the last time you did something for the first time?
We’ll only regret things we didn’t do

How can you care so little about the world we live in?
Just because you don’t care doesn’t mean it doesn’t matter
I love these songs and books edging our minds like pencil sharpeners
There are no pros and cons to giving a shit when you’re in it for the message

From Russian Pussy Riot, re-educated Indo-punks, to stoned emos in Irak
We got freedom of speech but nothing to say while spring is spreading everywhere
What kind of message do we send the opposition of the willing if we don’t even seem to care
Tough shit, everything is political, there’s no escape, a-political is just impossible
Too bad, songs won’t change a thing at all, needless to say, revolts need to be audible

———————-
Antillectual es una banda original de Nijmegen, Holanda, nacida en el año 2000. Toca una música de mezcla melódica y conciencia social, que va desde el skate punk de los 90, el emo de los 00 y el orgcore de los 10. Crean su propia mezcla única de riffs robados y títulos de canciones prestadas, mientras que llevar la antorcha de Punk Rock Europeo. Hasta la fecha ha publicado ocho trabajos, participado en numerosos festivales y tocado con bandas de primer nivel girando por Europa, EE.UU., Rusia, Japón y Brasil.

Antillectual:
http://www.antillectual.com
http://music.antillectual.com/

https://www.facebook.com/antillectual
https://www.instagram.com/antillectual/
https://www.youtube.com/user/Antillectual

Punk Rock Holiday:
http://www.punkrockholiday.com

https://www.facebook.com/punkrockholiday
https://www.instagram.com/punkrockholiday
*The best Punk Rock party on the most amazing location in the World!

———————-
1) Registrado – Sony MV1 (Audio)
2) Zoom – Sony SR11

1st Day *Recording Memories (RecME 73): http://wp.me/p23YMz-pb
2nd Day *Recording Memories (RecME 73): http://wp.me/p23YMz-pr
3th Day *Recording Memories (RecME 73): http://wp.me/p23YMz-pJ
4th Day *Recording Memories (RecME 73): http://wp.me/p23YMz-pO
5th Day *Recording Memories (RecME 73): http://wp.me/p23YMz-pR

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Old Man Attacks SkateBoarder In Cast!





skip to 12:03 for fight! So Crazy But this oldman started to choke michael and it escalated to this! enjoy. like, share, and subscribe. leave a comment with your …

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[41st Night of Summer] GILLA – b a d t o u c h





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Hot Arab Woman singing Mystical Trip Hop Music





Free video about trip hop music. This free video was created for you by http://epsos.de and can be used for free under the creative commons license with the attribution of epSos.de as the original author of this trip hop music video.

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The trip hop is a musical genre that encompasses different forms of electronic music slow or downtempo. It began in the mid- 1990s, emerging from the scenes of hip hop and house British and very much on the scene underground Bristol. It has been described as the “alternative choice in Europe in the second half of 1990” and as a “fusion of hip hop and electronica to the point that neither genre is recognizable. ” The absence of vowels in the trip hop led him to find his own idiosyncrasies replacing vowels with more abstract sounds while allowing you to let go of the need to copy the American hip hop.

Trip-hop is because of its slow tempos often as introverted or atmospheric soundscapes and melancholic felt. Often with low-fidelity -Effekten how the crackle of vinyl records worked. Instrumental trip-hop pieces are among many in the clear demarcation not more than trip-hop, but as Downbeat called. Elsewhere the term is downbeat but as a parent category or collective term for various styles, including trip-hop belongs.

Trip-Hop has its roots in hip-hop and dub, but on characteristics such as rap is usually dispensed with trip-hop. Often harmoniously – melodic encountered elements, similar to pop music.

The music journalist Andy Pemberton coined the term “trip hop” in 1994 in the June issue of Mixmag magazine, used for the first time. The name was created by the charge included in the Hip-Hop elements and the similar one trip felt slow sounds. In the multicultural scene of Bristol was founded toward the end of the 1980s, the artist collective “The Wild Bunch”, which also includes Massive Attack and Tricky belonged. Massive Attack has been with her ​​first album, according to many listeners Blue Lines laid the foundation stone of the trip-hop, but it was still very strong for the most part on radio and Soul ajar. Portishead (named after the town in England, near Bristol) was the first band that has the new style presented so that the music journalists saw a need for a new genre name. The alternative term Bristol sound is controversial even today in Bristol, because many local musicians who produce no trip-hop, feel marginalized.

Since the advent of trip-hop, many musicians were inspired by this style, so you can find typical elements of many other genres. This genre is hard to define because its definition varies by country. It is usually described with precursors artists such as Massive Attack, Portishead, Archive, Björk, Morcheeba, or Tricky who returned in any category.

The genre is based rhythmic hip-hop, on which are grafted all sorts of influences, jazz, blues, electronic music, film music, soul, rock, dub, etc. It thus greatly enriched and is now divided into many sub-genres ( acid jazz, downtempo, electro-dub, electro-jazz, electronica-free…). Eclecticism is required. The artistic purpose of the majority of groups claiming trip hop music is to create a “hovering” in generally quiet and melancholy appearance (although faster in tempo influences exist). This type is also part of some aspects in the line of some groups post-punk like Siouxsie and the Banshees and The Cure, both combos have been taken over by Tricky and Massive Attack. Tricky opens his second album Nearly God by a version of Tattoo, a piece pre-trip-hop of Siouxsie and the Banshees.

The Arabic music is a collection of music from the Arab world that is to say, a geographical area from the Middle East to the Atlantic. It constitutes the branches of the same musical family that evolved in cultural centers of the Near East and the Middle East but also in different contexts.

Despite their many appearances, this music, which all come from the oral tradition, have certain common characteristics, under the guise of art music a mixture of the Indian system and the art of interpreting the maqam, although the particular Regional are marked. Traditional forms of music that usually combine vocal and instrumental performances, often in alternation. Unlike Western music in which have developed the art of polyphony and the harmony, Arabic music is anchored on monody where the melody is monophonic and built on a extremely rich system of melodic modes, called maqams.

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TRASH TALK – OSAKA VISION @ FANDANGO OSAKA – 9.7.2016





http://www.glenjamn.com presents:

#TRASHTALK
#BABYLON
#JAPAN
#VERDY
#TOKYO
#OSAKA
#NAGOYA
#ENOSHIMA

SO… LONG STORY SHORT, HERE ARE SOME CLIPS OF ME w/ TRASH TALK & SOME CRAZY JAPANESE PUNK/HARDCORE BANDS B/C WE JUST MENTIONED JAPAN TICKETS WERE CHEAP… SO I BOOKED ONE AND SAID FUCK IT AND WENT TO JAPAN FOR THE PAST 10 DAYS. HERE ARE SOME HIGHLIGHTS.

S/O TO THE BOYS IN MEANING FOR COMING CLUTCH

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Punk Cover Moose





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Cyberpunk Digital Inspiration





Cyberpunk Digital Inspiration is an album made entirely of synth waveforms and rompler sound clips, crashed together in patterns that hopefully inspire others to create. Each track is accompanied by an image and a writing prompt.

As a classically trained musician, I’d never done much with synthesizers before. While writing a cyberpunk themed serial, Incorporated, that I intended to podcast, I decided to write a soundtrack to go with it. But to do that, I had to learn something new. Every other instrument I’d ever used had strings or tubes to create sound. Now I’m making sound with a MIDI keyboard and software. So I started writing cyberpunk themed music in a simple synth program, and started putting them up online.

Digital Inspirations is made of the first thirty synth and rompler tracks that I made while developing the style and digital instrument set for the soundtrack to Incorporated. I hope they will inspire others to create sci-fi and cyberpunk worlds and settings, just as they’ve done for me while I’ve been working on them. They were created with a combination of skills learned in analog instruments, and entirely digital or synthesized waveforms combined by software. Nature and technology, man and machine, working together to create something new.

What genre is it? Damned if I know. There’s a bit of synth and retro wave influence, just because I grew up in the 80s. There’s a bit of jazz and orchestral influence, because I’ve been in orchestras and small ensembles. For now, I’m just calling this a cyberpunk soundtrack, and leaving it at that.

If you want to download the full album, I put it online at http://chickenscratching.bandcamp.com/album/cyberpunk-digital-inspiration

Track listing:
(0:00)
1:// Last Job

(5:43)
2:// City Streets

(6:35)
3:// Network Key

(11:39)
4:// Greater Forces

(13:38)
5:// Can Digital Analog?

(15:30)
6:// Invisible

(17:14)
7:// Yakuza

(19:16)
8:// Underground

(21:08)
9:// Forward

(22:51)
10:// Sometimes you lose

(25:18)
11:// Watch your back

(26:58)
12:// I’ll watch your back

(28:39)
13:// Gentle Intrusion

(30:06)
14:// Cat and Mouse

(33:24)
15:// Momentary freedom

(35:29)
16:// Lonely nights

(37:50)
17:// Lost in translation

(40:50)
18:// Asphalt Jungle

(44:21)
19:// Smash and Grab

(46:51)
20:// You and Me and Everyone on the Web

(51:51)
21:// Subject Unknown

(55:02)
22:// Bounceback

(57:22)
23:// Man in Machine

(59:40)
24:// The Place Where I was Made

(1:03:38)
25:// Waves

(1:07:05)
26:// Lean on me

(1:10:16)
27:// Another day

(1:13:32)
28:// I believe

(1:17:34)
29:// A new place

(1:19:56)
30:// Goodbye to Everyone and Everything

/*
Cyberpunk Digital Inspiration
Album and music by Hugh Sullivan
Copyright 2015
All rights reserved
http://www.chickenscractching.com/
http://chickenscratchingdotcom.tumblr.com/ */

All images (with the exception of the album cover) are just nifty cyberpunk-ish images I’ve found online, and I try to link to at least where I’ve found them. So they’re not mine to give permission to use. The original links to them can all be found with the original music posts at http://chickenscratchingdotcom.tumblr.com/tagged/writing-prompt

All writing prompts are free to use (of course. Otherwise there isn’t much use in sharing them), and all music is free for non-commercial use. (although I do love me some link-backs and attribution if you can.)

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Asian Synth Pop Band Singing Live Song





Free video about Synthpop song . This free video was created for you by http://epsos.de and can be used for free under the creative commons license with the attribution of epSos.de as the original author of this Synthpop song video.

Thank you for supporting the creative commons movement !!

The electronic music is a type of music produced and performed predominantly with electronic musical instruments such as the synthesizer, the sampler, the drum, the sequencer, and more recently, computers, thanks to the increasing developments in technology and software, play a vital role in the production of contemporary electronic music. It also typically use electromechanical instruments such as electric guitar or the Hammond organ. There are a lot of electronic music genres, showing a very wide range of sounds; from the background music to the music industry more experimental, to styles such as synthpop, dance, hip hop or chill out, they all have in common is the predominant or exclusive use of electronic instruments.

Synthpop or synth-pop or synthpop denotes a pop style in the 1970s within the electronic dance music, whose main feature is the use of electronic instruments as a style element. This traditional instruments should not simply be replaced by electronic music. Instead, it was started as a trial order, new artistic ways of creating sound design and style to go.

In addition to synth-pop, the terms “are electro “and” Technopop “is used, the precise definition and limitation are discussed differently. What is meant is a produced with synthetic sound generation and / or pop music samplers, depending on the musical emphasis. Nevertheless, not every pop music electronically generated automatically called synth pop.

In the triumph of techno -movement of the synth-pop was pushed back into the ground. There, especially bands like led De / Vision, Second Decay, Elegant Machinery and Pitch Yarn of Matter typical of the 1980s sound on. With the advent of ever more powerful PCs from the mid-1990s keyboard synthesizer and sampling machines disappeared progressively and thus gradually the classic synth-pop.

At the same time, there was a brief synth-pop revival, but the one major success was denied. Setting the tone here were mainly Swedish and German labels such as October, with bands like Children Within, Kiethevez, Vision System, Forbidden Colours and State Machine, and Visage Records, with groups such as the Daily Planet and Point of View.

While the most common in the industrialized world is on popular music with electronic instruments, Synth-pop has its own stylistic tendencies that differentiate it from other music produced by the same means. These include the exploitation of artificiality (synthesizers are used to mimic acoustic instruments), the use of mechanical rhythms, vocal arrangements as a counterpoint to the artificiality of the instruments and the model ostinato effect. Structures Synth-pop songs are generally similar to popular music.

The Synth-pop origins date back to the development of synthesizers and Electronic music, but its real development began when the pioneers of Electronic Kraftwerk recorded their fourth album Autobahn in 1974, changing the development of Electronic music and popular. The use that was given to synthesizers by the then trio of Ralf Hütter, Florian Schneider and Wolfgang Flur catapulted to international success. His revolutionary work, futuristic and original for the time, would be instrumental in the development of music in later years and would influence strongly the artists that would come a few years later, especially in the United Kingdom.

In Germany, Synth-pop movement began from the age of Kraftwerk after launched its first self-titled album in 1970. Kraftwerk, who had come from the movement of progressive rock, decided to go further with sound experimentation creating an innovative multidisciplinary concept future generations of Electronic music. The most important exponents of Synth-pop in Germany are Alphaville, Kraftwerk, Celebrate the Nun, Camouflage and Modern Talking.

In the new millennium, a renewed interest in Electronic music and nostalgia of the 1980s led to the beginnings of a revival of Synth-pop, with acts such as Fischerspooner and Adult. In 2003-2004 they began to move into the mainstream with Ladytron, The Postal Service, Cut Copy, The Bravery and The Killers all producing records that synthesizer incorporated vintage sounds and styles that contrast with the dominant genres Post-grunge and Nu Metal.

The synthpop is defined by the use of synthesizers, drum machines and sequencers, often used to replace other instruments. Synthesizers usually used to mimic the sounds of orchestral instruments clichés. The songs were also included, and the lyrics were generally optimistic inspired themes such as romance.

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Jennifer’s Buddy – Pilot Episode 2016 (Full Album)





Дебютный альбом олдскул поп-панк группы из Томска.
Debut album of the old school pop-punk band from Tomsk.

Download: http://jennifersbuddy.bandcamp.com/ https://yadi.sk/d/qKuhP8MUrYpaz
Web: http://vk.com/jennifersbuddy

Track List:

1. Коты
2. Паранойя
3. Обычный день
4. Скучно
5. Страсть к перемене мест
6. Мой сумасшедший день (The Muffs cover)
7. Франц Францевич
8. Дезодорант
9. Западозависимый
10. Про тебя
11. Звездопад
12. ВК
13. Пока ты не умрёшь

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