DEMERIT [HD] 08 APRIL 2016

DEMERIT [HD] 08 APRIL 2016





live concert video of the band DEMERIT in PARIS the 08 APRIL 2016 playing the song with popolar songs like FIGHT YOUR APATHY or T.Z. GENERATION or BEIJING IS NOT MY HOME similar to the band SMZB or JOYSIDE or FANZUI XIANGFA or ONWARD TO MAYHEM

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NONAME – “Dragon Spirit” (version 1) (China, 2011)

NONAME - "Dragon Spirit" (version 1) (China, 2011)





NONAME/ NO NAME are a Xi’an, Shaanxi Province-based punk band from mainland China. They’ve been together since 2000. This is a music video I directed for them while we were collaborating on the film DRAGON CITY. This is not the version that appears in the final film.

NO NAME are currently: Yao Rui (Ray): Vocals, Mars: Guitar and Vocals, Zhang Hui: Bass and Vocals, and Hong: Drums (and vocals: studio only).

This is version # 1 of the music video for “Dragon Spirit,” taken from their CD “That Is What We Believe,” which is available NOW from Kids Union Records in mainland China (myspace.com/kidsunion), and Razorblade Music in Germany (razorblade-music.com).

I am the creator of this music video and it is uploaded with permission from myself, Pestilence Pictures International, NONAME and Kids Union Records. This video is uploaded under the Creative Commons Noncommercial-No Derivative Works 3.0 agreement.

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American Idiot – Green Day Album Medley

American Idiot - Green Day Album Medley





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Green Day – American Idiot Full Album Medley

A medley I put together for one of my favorite albums of all time!

I played all the instruments and the drums were made using a software in logic pro x

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PUNK. SUS RASTROS EN EL ARTE CONTEMPORÁNEO

PUNK. SUS RASTROS EN EL ARTE CONTEMPORÁNEO





Entre 1976 y 1978 en Londres y Nueva York surgió como una explosión, el Punk: unos cuantos grupos de música agrupados en torno a fancines, tiendas de moda o locales que mostraban oposición frente a los convencionalismos. Surgió como una reacción a la crisis del sueño hippie; enredado en la aparición del terror y el terrorismo como acción política; atenazado por la crisis económica ligada a la gestión de la escasez; todo ello aderezado con un regreso del conservadurismo político que anunciaba la aparición del tacherismo y Reagan. El Punk mostraba un descontento rabioso frente a una situación sin futuro que enseguida prendió y se extendió geográficamente. En España apareció poco después en los grupos incipientes de la movida madrileña y en Euskadi y Cataluña con una generación que ya había perdido la ilusión democratizadora de la lucha antifranquista. Pero el Punk es sólo el punto álgido, una explosión en la que se oyen ecos del Dadaísmo o el Situacionismo, de un sentir común, un malestar, descontento, insatisfacción y una rabia que acompaña todo el siglo XX. Una rabia cuyo eco todavía está presente hoy en día.

Tanto el Punk como su genealogía y antecedentes han sido analizados y estudiados. En “Rastros de carmín”, el ensayo más significativo e icónico sobre sus repercusiones, Greil Marcus trazaba por primera vez un recorrido por los antecedentes del Punk. Esta exposición pretende establecer una genealogía que llegue hasta nuestros días o según Greil Marcus, seguir sus rastros hasta el presente. “PUNK. Sus rastros en el arte contemporáneo” busca hacerse eco de la importante presencia de lo Punk como actitud y como referencia entre muchos creadores. Tanto que quizás esa referencia es el único punto en común entre artistas y obras muy distantes; o tanto como para rastrear el arte contemporáneo como un espacio de disidencia en el que congregar una actitud Punk.

ARTISTAS/ARTISTS

Carlos Aires, Martin Arnold, Fabienne Audeoud, Bill Balaskas, Jean-Michel Basquiat, Laurent P. Berger, Chris Burden, Tony Cokes, Jordi Colomer, Brice Dellsperger, Christoph Draeger, Jimmie Durham, Tracey Emin, Mario Espliego, Ant Farm, Hans-Peter Feldmann, Claire Fontaine, Chiara Fumai, Iñaki Garmendia, Kendell Geers, Gelitin, Nan Goldin, Douglas Gordon, Dan Graham, Eulàlia Grau, Guerrilla Girls, Johan Grimonprez, Antoni Hervas, Mike Kelley, Martin Kippenberger, João Louro, Christian Marclay, Raúl Martínez, Raisa Maudit, Paul McCarthy, Jonathan Messe, Jordi Mitjá, Joan Morey, Janis E. Müller, Matt Mullican, Itziar Okariz, João Onofre, Antonio Ortega, Tony Oursler, Mabel Palacín, Juan Pérez Aguirregoikoa, Raymond Pettibon, Maria Pratts, Tere Recarens, Jamie Reid, Tim Reinecke, Martín Rico, Aida Ruilova, Pepo Salazar, Santiago Sierra, Federico Solmi, Natascha Stellmach, Gavin Turk y VALIE EXPORT.

COMISARIO DAVID G. TORRES.

Vídeo realizado por Mar Rojo.

Más info: http://www.ca2m.org/es
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PUNK. ”SUS RASTROS EN EL ARTE CONTEMPORÁNEO”.

Between 1976 and 1978 in London and New York emerged as an explosion, the Punk: a few music groups grouped around fancines, fashion stores or stores that showed opposition to conventions. It emerged as a reaction to the crisis of the hippie dream; entangled in the emergence of terror and terrorism as a political action; gripped by the economic crisis linked to the management of scarcity; All this seasoned with a return of the political conservatism that announced the appearance of tacherismo and Reagan. The Punk showed a rabid discontent in front of a situation without a future that immediately ignited and spread geographically. In Spain it appeared shortly after in the incipient groups of the movida madrileña and in Euskadi and Catalonia, with a generation that already had lost the democratizing illusion of the antifranquista fight. But Punk is only the high point, an explosion in which you can hear echoes of Dadaism or Situationism, of a common feeling, discomfort, dissatisfaction, dissatisfaction and anger that accompanies the entire twentieth century. A rage whose echo is still present today.

Both Punk and its genealogy and background have been analyzed and studied. In “Rastros de carmín”, the most significant and iconic essay on its repercussions, Greil Marcus traced for the first time a tour of the background of Punk. This exhibition aims to establish a genealogy that reaches our days or according to Greil Marcus, follow its traces to the present. “PUNK. His traces in contemporary art “seeks to echo the important presence of Punk as an attitude and as a reference among many creators. So much so that perhaps that reference is the only point in common between artists and very distant works; or as much as to trace contemporary art as a space of dissidence in which to gather a Punk attitude.

CURATED BY DAVID G. TORRES.

Vídeo made by Mar Rojo.

More info: http://www.ca2m.org/es

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Poisöncharge – Choppers d-beat and Satan (demo, 2015)

Poisöncharge - Choppers d-beat and Satan (demo, 2015)





Satanic d-beat metal from France

Support and buy here :
http://poisoncharge.bandcamp.com

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