SO… LONG STORY SHORT, HERE ARE SOME CLIPS OF ME w/ TRASH TALK & SOME CRAZY JAPANESE PUNK/HARDCORE BANDS B/C WE JUST MENTIONED JAPAN TICKETS WERE CHEAP… SO I BOOKED ONE AND SAID FUCK IT AND WENT TO JAPAN FOR THE PAST 10 DAYS. HERE ARE SOME HIGHLIGHTS.
Free Download here – http://soundcloud.com/tigervegan
You can dance to it!.. as long as you can keep up with all the time changes and syncopated chopped-up rhythms 😉
For the people who dig this kind of info, i basically chopped the fuck out of the Daft Punk track and manually re-structured it into a mathy mass of changing time signatures and rhythms, cutting the Flash vocals to fit with the new patterns – BUT, with an emphasis on keeping the storyline of The Message coherent, so you still get the wicked storytelling flavour of the Flash track coming through – albeit with a slightly more surreal storyline (!!!!!).. rats.. baseball bats.. you’ll get the picture.
Grandmaster Flash – the message (vocals)
Daft Punk – short circuit (music)
Plus lots of FX and extra synthy parts thrown in by me for spice & spice (yes, more spice).
Check out the rest of the TigerVegan mash-ups & remixes if you dig this kinda thing. Peace x
What is AUSTRALIAN NEW WAVE? What does AUSTRALIAN NEW WAVE mean? AUSTRALIAN NEW WAVE meaning – AUSTRALIAN NEW WAVE definition – AUSTRALIAN NEW WAVE explanation.
Source: Wikipedia.org article, adapted under https://creativecommons.org/licenses/by-sa/3.0/ license.
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The Australian New Wave (also known as the Australian Film Revival, Australian Film Renaissance, or New Australian Cinema) was an era of resurgence in worldwide popularity of Australian cinema, particularly in the United States. It began in the early 1970s and lasted until the mid-late 1980s.
The era marked the emergence of Ozploitation, a film genre characterised by the exploitation of colloquial Australian culture.
The Australian film industry declined after World War II, coming to a virtual stop by the early 1960s. The Gorton (1968–71) and Whitlam Governments (1972–75) intervened and rescued the industry from its expected oblivion. The federal and several state governments established bodies to assist with the funding of film production and the training of film makers through the Australian Film Television and Radio School, which fostered a new generation of Australian filmmakers who were able to bring their visions to the screen. The 1970s saw a huge renaissance of the Australian film industry. Australia produced nearly 400 films between 1970 and 1985, more than had been made in the history of the Australian film industry.
In contrast to pre-New Wave films, New Wave films are often viewed as fresh and creative, possessing “a vitality, a love of open spaces and a propensity for sudden violence and languorous sexuality”. The “straight-ahead narrative style” of many Australian New Wave films reminded American audiences of “the Hollywood-maverick period of the late 1960s and early ’70s that had just about run its course”.
Several films of the Australian New Wave are regarded as classics of world cinema and have been ranked among films considered the best. Published in 2004, The New York Times Guide to the Best 1,000 Movies Ever Made includes Walkabout, Mad Max, Breaker Morant, Gallipoli, The Road Warrior, The Year of Living Dangerously and Dead Calm. In 2008, Empire magazine chose The Road Warrior and The Year of Living Dangerously as two of the 500 Greatest Movies of All Time, ranking in at #280 and #161 respectively. The 2011 book 1001 Movies You Must See Before You Die features Walkabout, Picnic at Hanging Rock, The Last Wave, The Chant of Jimmie Blacksmith, My Brilliant Career, Mad Max and Gallipoli.
Since its re-release in 2009, Wake in Fright has been assessed as one of, if not the greatest, Australian New Wave film.
18th years & we are still punk.
This video dedicated for all our family, friend, and fans, also all our colleague. During Desire Tour 2015, we take footage from 3 city and 2 country. Singapore “Lithe Paraloque”-Batu Pahat “The Wall”-Kuala Lumpur “Rumah Api”
Album: Up The Punk 2015
Prod.: Rawtape Records
Editor & Director: @adipribowo
Prod. House: Tayanami Pictures