If Radiohead, A Perfect Circle, Sunny Day Real Estate, Blonde Redhead, and the Arcade Fire were crammed into an elevator CIRCA VITAE is surely the illegitimate love child that would spring out on the 5th floor.
CIRCA VITAE began to form in early 2007 with Nate Beveridge and Thaddeus Moore, as Bass and Drums respectively. They were joined shortly thereafter by Britt Brady on guitar and vocals, and Wesley Curtis on guitar.
They spent the next year writing material and playing a handful of shows. A couple members came and went, helping the band to grow and evolve to what they are today. Most recently was the addition of Anna Ponto, whose feminine backing vocals and multi-instrumental talent has rounded off the group, and has helped the creative process of the band as a whole.
Garage-punk band from Moscow. Founded in 2007. The idea was just to play raw punk and rock-n-roll as we all heard on New York Dolls early demos. Andrey worked in music mag and played bass in friendly heavy metal band. And suddenly understood – he’s got something to say. Each song is a true story about streets, girls, drugs and so on. Mess. played lots of gigs in Moscow, St.-Petersburg, Kyiv, Vladimir, Nizhny Novgorod. Some of gigs they can hardly remember. In 2010 the band recorded 1-st LP ‘Mess’ and went on tour. After long pause they returned to the scene with saxophonist and new songs. LP ‘Lucky One’ was recorded at exellent ‘Music street studio’, which was later – destroyed by city government.
Андрей Шерыханов – вокал
Антон Кириллов – гитара
Александр Давлетбаев – барабаны
Дмитрий Бодров – бас
Петр Чайников – саксофон
Artwork by Дмитрий Соколов
Photo by Марат Никитин
Record in Music street studio
Lanzamiento del libro “La canción punk de los 80 en Chile” del escritor Jonathan Lukinovic Hevia el Viernes 21 de Agosto de 2015 en el Sindicato Nº1 de trabajadores Nestle en San Fernando.
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Although post-hardcore is primarily rooted in post-punk and hardcore punk, the music that created the space for it were groups like Black Flag, The Minutemen, Flipper and Hüsker Dü, who proved there was indeed room for stylistic diversity in hardcore punk, and abrasive art punk units like Sonic Youth and Big Black, who had arrived too late to truly be part of the initial post-punk movement. Unlike post-punk, post-hardcore was almost exclusively an American phenomenon.
Post-hardcore developed due to not only the stylistic limitations of hardcore punk, but also as an effort directly alienate the boorish, violent culture that had grown around hardcore punk much to the ire of the influential figures. The earliest appearances of post-hardcore itself were in Washington, D.C. and the surrounding Maryland area in the mid-1980s, thanks largely to a 1985 campaign by Washington’s Dischord records called revolution summer, which aimed to break the label and its followers free from the creative and social dead-end of hardcore punk. The first post-hardcore, played by bands like Rites of Spring, Embrace, Gray Matter, and Ignition essentially combined a stronger command of songwriting, a better sense of melody and rhythm, and an introspective lyrical focus, with the power of hardcore. Notably, this music was deemed “emocore” by its detractors.
Post-hardcore would not develop its art rock qualities until about 1987, with the arrival of bands including Moss Icon, who would frequently subvert traditional songwriting styles, make use of improvisational techniques and featured an instrumental style influenced as much by groups like Bauhaus and The Cure as it was by Black Flag. Also noteworthy were Happy Go Licky, a reconvening of Rites of Spring who played an updated version of no wave, and Soulside, who emphasized the power of the rhythm section.
Meanwhile, in the northern Midwest a different type of post-hardcore was developing in the wake of the breakup of Big Black, centered around Touch And Go records. Whereas post-hardcore in the DC/Maryland vein was concerned with energy and emotional expression, artists including The Jesus Lizard, Arcwelder, Silverfish and Big Black frontman Steve Albini’s own Rapeman and later project Shellac were focused on confrontation through precision and extreme volume. This type of post-hardcore might be less renown than that emanating from Washington, though it lead to the creation of math rock and noise rock and undoubtedly shaped the face of post-hardcore in general as much as the groups from Washington did.
The most influential post-hardcore group of all, though, was Fugazi. Formed in the late 1980s by Dischord founder and Embrace singer Ian MacKaye, along with members of Rites of Spring, Fugazi combined a persistent work ethic with constant stylistic innovation. Fugazi played throughout the 1990s and toured throughout the industrialized world, and in their wake came exciting new labels like Gravity, Ebullition, and Gern Blandsten, and artists such as Native Nod, Clikatat Ikatowi, Hoover, Drive Like Jehu, Navio Forge, Unwound, Maximillian Colby, Lungfish and 1.6 Band, among myriad others. Some groups, most notably Jawbox and Sunny Day Real Estate, were even accessible enough to find a degree of mainstream success.
By the turn of the new millennium, post-hardcore bands including Les Savy Fav, At the Drive-In, and The Dismemberment Plan were openly flirting with elements of dance music, and progressive rock, sometimes even adding electronic instrumentation. The music these groups produced was increasingly lush, and indeed many of them did develop major label affiliations. However, post-hardcore more or less collapsed in the early 2000s, with the break-up of many key artists.
Edited by IRONICtypo on 22 Aug 2012, 16:53
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Este tema forma parte del concierto que Lagwagon ofreció el primer día del festival Punk Rock Holiday que tuvo lugar el 8 de agosto del 2016 en un entorno paradisíaco como son las inmediaciones del Soča River en Tolmin, Eslovenia.
PlayLIST [All-IN] x150: “nrK7 (Punk Rock Holiday): Viaje al paraíso del Punk Rock”
“After You My Friend” es el tema 01 del disco “Let’s Talk About Feelings” (1998)
Here he is. He saves a grin
He wants to be the one who doesn’t have to sink a level
Indiscrete, in his retreat
All he need is just a taste of the bitter pride he held in her name
Embrace the solitude in ordinary fucked up state of grace
Far away from the days he bared
The cross he used to wear
In some resolve well aware
A little pitiful, a pin up boy they dress in grieving wear
Well at ease in consent
In the drift of undertow
He won’t justify the pity from them
When he knows…fools in love are arrogant
Their sermons cloud his breathing air
He’s in love with an isolation from emotion
Here he is awaiting sentence
A fool to think that anyone can escape guilt and anguish
A subtlety that can’t be learned
A subtlety that can’t be taught
He is caught in the lure of second thoughts
He might still care
As he settles down well aware
Bound in secrecy. His voice will
Only dignify their fears
But sorrow is signified
He’s well aware of his pride
Lagwagon es un grupo musical de punk rock estadounidense fundado en 1990 en Goleta, Santa Bárbara, California. Tras siete trabajos de estudio y nueve años sin publicar nuevo material, el grupo lanza el 28 de octubre de 2014 su octavo álbum titulado Hang.