Old Guard – I’m A Punk

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En “Not Everything is a Dream” (2017).

https://oldguardskramz.bandcamp.com/releases

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Eric Sherman: Our Band Could Be Your Life





Eric draws parallels between the punk rock and hip hop subcultures to hack night’s role in the civic tech movement.

On December 13th 2016, Chi Hack Night hosted our third round Lightning Talks featuring 8 members of our community. Each presenter was given 2 minutes to tell a story about civics, society and technology.

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Boston Band – More Than A Feeling (Pop Punk cover/Rock cover by Punk Cover Moose) One Man Band





Click to Tweet: https://ctt.ec/7cG1Y

A Pop Punk cover/Rock cover by Punk Cover Moose of “More Than A Feeling” by Boston band (1976) Featuring Jed Dixon of Jackson River on guitar. https://youtu.be/_yJObIoW9T8

This is a Rock cover/Pop Punk cover by Josh “Moose” of one man band Punk Cover Moose of “More Than A Feeling” originally by Boston band. Originally, I wanted to do this Rock cover/Pop Punk cover of Boston More Than A Feeling because it was on an episode of Scrubs. (When Turk and the janitor start an air band) Boston More Than A Feeling is a good song and Boston band is a good band so it translated into my style very easily. Thanks for checking it out!

Listen to another Pop Punk cover by Punk Cover Moose!
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LYRICS:I looked out this morning and the sun was gone
Turned on some music to start my day
I lost myself in a familiar song
I closed my eyes and I slipped away
It’s more than a feeling (more than a feeling)
When I hear that old song they used to play (more than a feeling)
And I begin dreaming (more than a feeling)
Till I see Marianne walk away
I see my Marianne walkin’ away
So many people have come and gone
Their faces fade as the years go by
Yet I still recall as I wander on
As clear as the sun in the summer sky
It’s more than a feeling (more than a feeling)
When I hear that old song they used to play (more than a feeling)
And I begin dreaming (more than a feeling)
Till I see Marianne walk away
I see my Marianne walkin’ away
When I’m tired and thinking cold
I hide in my music, forget the day
And dream of a girl I used to know
I closed my eyes and she slipped away
She slipped away
It’s more than a feeling (more than a feeling)
When I hear that old song they used to play (more than a feeling)
And I begin dreaming (more than a feeling)
Till I see Marianne walk away

Get more than Pop Punk cover songs from Punk Cover Moose:
Facebook – www.facebook.com/punkcovermoose
Twitter – @punkcovermoose
Snapchat – punkcovermoose
My band – www.lifeisshortband.com

Let me know in the comments if there are other cover songs you’d like to hear!

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2nd Wave Mom’s First Ever Show!





Montréal punk/hardcore band 2nd Wave Mom plays their first ever show to a packed house at the Decadent Squalor April 11, 2013.
Isabella on screamz, Brad on guitar, Nicola on bass, and Shayla banging the drumz!

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VELHINHA – POST-HARDCORE





Post-hardcore
Wiki
Artists Albums Tracks Videos Wiki
Although post-hardcore is primarily rooted in post-punk and hardcore punk, the music that created the space for it were groups like Black Flag, The Minutemen, Flipper and Hüsker Dü, who proved there was indeed room for stylistic diversity in hardcore punk, and abrasive art punk units like Sonic Youth and Big Black, who had arrived too late to truly be part of the initial post-punk movement. Unlike post-punk, post-hardcore was almost exclusively an American phenomenon.

Post-hardcore developed due to not only the stylistic limitations of hardcore punk, but also as an effort directly alienate the boorish, violent culture that had grown around hardcore punk much to the ire of the influential figures. The earliest appearances of post-hardcore itself were in Washington, D.C. and the surrounding Maryland area in the mid-1980s, thanks largely to a 1985 campaign by Washington’s Dischord records called revolution summer, which aimed to break the label and its followers free from the creative and social dead-end of hardcore punk. The first post-hardcore, played by bands like Rites of Spring, Embrace, Gray Matter, and Ignition essentially combined a stronger command of songwriting, a better sense of melody and rhythm, and an introspective lyrical focus, with the power of hardcore. Notably, this music was deemed “emocore” by its detractors.

Post-hardcore would not develop its art rock qualities until about 1987, with the arrival of bands including Moss Icon, who would frequently subvert traditional songwriting styles, make use of improvisational techniques and featured an instrumental style influenced as much by groups like Bauhaus and The Cure as it was by Black Flag. Also noteworthy were Happy Go Licky, a reconvening of Rites of Spring who played an updated version of no wave, and Soulside, who emphasized the power of the rhythm section.

Meanwhile, in the northern Midwest a different type of post-hardcore was developing in the wake of the breakup of Big Black, centered around Touch And Go records. Whereas post-hardcore in the DC/Maryland vein was concerned with energy and emotional expression, artists including The Jesus Lizard, Arcwelder, Silverfish and Big Black frontman Steve Albini’s own Rapeman and later project Shellac were focused on confrontation through precision and extreme volume. This type of post-hardcore might be less renown than that emanating from Washington, though it lead to the creation of math rock and noise rock and undoubtedly shaped the face of post-hardcore in general as much as the groups from Washington did.

The most influential post-hardcore group of all, though, was Fugazi. Formed in the late 1980s by Dischord founder and Embrace singer Ian MacKaye, along with members of Rites of Spring, Fugazi combined a persistent work ethic with constant stylistic innovation. Fugazi played throughout the 1990s and toured throughout the industrialized world, and in their wake came exciting new labels like Gravity, Ebullition, and Gern Blandsten, and artists such as Native Nod, Clikatat Ikatowi, Hoover, Drive Like Jehu, Navio Forge, Unwound, Maximillian Colby, Lungfish and 1.6 Band, among myriad others. Some groups, most notably Jawbox and Sunny Day Real Estate, were even accessible enough to find a degree of mainstream success.

By the turn of the new millennium, post-hardcore bands including Les Savy Fav, At the Drive-In, and The Dismemberment Plan were openly flirting with elements of dance music, and progressive rock, sometimes even adding electronic instrumentation. The music these groups produced was increasingly lush, and indeed many of them did develop major label affiliations. However, post-hardcore more or less collapsed in the early 2000s, with the break-up of many key artists.
Edited by IRONICtypo on 22 Aug 2012, 16:53

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Como un puñado – Retroaccion punk rock



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サバイバルゲーム 猛毒タコとの死闘 自給自足 サバイバル生活 6





YouTuber Pop Punk Band!!Our New Statement!

You can download our songs from iTunes Store
https://itunes.apple.com/jp/album/our-new-statement-single/id869829072

Official Website
http://ournewstatement123456789.jimdo.com

We are “YouTuber Pop Punk Band” Our New Statement
We’ll uplode various videos!!!!!Look forward to it!Please subscribe!
Best wishes to all!! From Japan

YouTubeでの動画投稿、楽曲投稿
YouTuberでありPunk Band
既存の枠にはまらない雑食エンターテインメントバンド

Vo.Gt :Ryuhei Hoshino
Twitterアカウント:@Ramones0611

フォローandチャンネル登録おねがいします!

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MrSadist DJ – Punk





A little bit of punk rock – good for “overclocking”.
***
References:
• A group VKontakte – vk.com/mrsadistdj
• Page on Soundcloud – soundcloud.com/mrsadist/
• Page on Promodj – promodj.com/MrSadist

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Police Control – Adrénaline





Song from the first POLICE CONTROL EP, a French Parisian Punk Band.
Out on Juvenile Delinquent records and Gone with the weed
https://juveniledelinquent.bandcamp.com/

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Boy In A Box at Big British Sound 2011





Tobias rocking the crowd with his cover of I Fought The Law

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