The rumours are true…
Chaka Khan and her band rehearsing I Love Myself for the 1st time!
A positive, upbeat indie rock song that you can use for free on your YouTube or Vimeo videos, reminiscent of adventure, summer days, with electric guitars, claps, bass and hard hitting drums.
For more commercial Royalty Free music music for your videos visit https://audiojungle.net/user/alexnekita/portfolio?ref=alexnekita
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Download free youtube song here:
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Groupe punk rock français
Morceau issu du cd compil Guerilla Asso fête ses 10 ans
Plus rien ne rappelle en toi désormais le corp ouvrier du père,
Fils de qui, fils de quoi? De la honte ou de la haine?
Ou d’une sombre misère dont tu voudrais taire l’adresse.
Plus rien ne rappelle a toi le corps épuisé de la mère,
Fille de qui, fille de quoi? De l’amour ou de la peine ?
Ou d’un paisible enfer dont tu préfères taire l’adresse.
Et tu pense en les regardants, à tout ce que tu pourrais devenir !
Et tu pense en les regardants, à tout ce que tu voudrais devenir !
Se rapelle a toi finalement les corps écrasés de tes pères,
Enfant sans mémoire, invisible et sans histoire
pour revenir enfin sur ce que tu as tant voulu fuir !
Se rappelle a toi finalement les corps oubliés de tes frères
Effroyable verdict du berceau familial !
Comment ne pas trahir celui dont on s’éloigne ?
Et tu pense en les regardants, à ce que tu pouvais devenir !
Et tu pense en les regardants, à ce que tu voulais devenir !
Mais qu’est ce que tu voulais devenir ?
Did my best with the sound… 10 feet from the speaker wall is not the best place for sound, but we’ll see!
Fall Out Boy rose to the forefront of emo pop in the mid-2000s, selling more than four million albums thanks to the band’s tabloid-grabbing bassist, able-voiced frontman, and handful of Top 40 hits. The group’s four members first came together in suburban Wilmette, a bedroom community 14 miles north of Chicago, around 2001. Vocalist/guitarist Patrick Stump, bassist/lyricist Pete Wentz, drummer Andrew Hurley, and guitarist Joe Trohman had all taken part in various bands connected to Chicago’s underground hardcore scene. Most notably, Hurley drummed for Racetraitor, the furiously political metalcore outfit whose brief output was both a rallying point and sticking point within the hardcore community. As Fall Out Boy, the quartet used the unbridled intensity of hardcore as a foundation for melody-drenched pop-punk, with a heavy debt to the emo scene. They debuted with a self-released demo in 2001, following it up in May 2002 with a split LP (issued on the Uprising label) that also featured Project Rocket, for which Hurley also drummed. The band remained with the label for the release of a mini-LP, Fall Out Boy’s Evening Out with Your Girl, but a bidding war of sorts was already in full swing.
Fall Out Boy eventually signed a deal with Fueled by Ramen, the Florida-based label co-owned by Less Than Jake drummer Vinnie Fiorello, but also received an advance from Island Records to record a proper debut album. The advance came with a right of first refusal for Island on Fall Out Boy’s next album, but it also financed the recording of Take This to Your Grave, which occurred at Butch Vig’s Smart Studios compound in Madison, Wisconsin, with producer Sean O’Keefe (Lucky Boys Confusion, Motion City Soundtrack) at the helm. Take This to Your Grave appeared in May 2003, and Fall Out Boy earned positive reviews for subsequent gigs at South by Southwest and various tour appearances. Their breakout album, the ambitious From Under the Cork Tree, followed in spring 2005, quickly reaching the Top Ten of Billboard’s album chart and spawning two Top Ten hits with “Sugar We’re Going Down” and the furiously upbeat “Dance, Dance.” The album went double platinum and earned the musicians a Grammy nomination for Best New Artist.
Fall Out Boy’s underground star status — driven by the especially extroverted Wentz, who also gained exposure with his clothing line, his Decaydance record label (an imprint of Fueled by Ramen), and eventually a celebrity relationship with Ashlee Simpson — had boiled over into the mainstream. They toured extensively, supporting the album with international tours, arena shows, TRL visits, late-night television gigs, and music award shows. Without taking a break, the guys then hunkered down to work on their follow-up record with From Under the Cork Tree producer Neil Avron (and, somewhat surprisingly, Babyface). Infinity on High, whose title was taken from a line in one of Van Gogh’s personal letters, appeared in early February 2007, spearheaded by the hit single “This Ain’t a Scene, It’s an Arms Race.” The album continued Fall Out Boy’s streak, debuting at number one on the Billboard charts and going platinum one month later. Released in early 2008, the CD/DVD package Live in Phoenix documented the band’s strength as a flashy live act, while the full-length studio effort Folie à Deux followed later that year.
Recording sessions for Folie à Deux were tough, prompting the band to take an open-ended hiatus soon after the album’s release. Joe Trohman and Andy Hurley joined a new band, Damned Things, during the interim, while Wentz teamed up with a new vocalist, Bebe Rexha, to form Black Cards. Stump took the opportunity to launch a solo career, ditching his band’s emo pop music in favor of a more electronic, R&B-influenced sound.
Stump released his debut solo album Soul Punk in 2011 and, despite some positive reviews, the album didn’t catch fire. Pete Wentz spent time with a new band called Black Cards, but that also didn’t really go anywhere, and it wasn’t long before rumors of a Fall Out Boy reunion began to swirl. In February 2013 the band confirmed that the rumors were true: they had reunited for a new album called Save Rock & Roll and an accompanying tour. Save Rock & Roll was released in April of 2013, preceded by the single “My Songs Know What You Did in the Dark (Light ‘Em Up).” Just shy of two years later, in January 2015, the band unveiled their sixth album, American Beauty/American Psycho. Produced in part by J.R. Rotem and SebastiAn, it was a wholly modern effort that combined Fall Out Boy’s core punk-pop sound with elements of electronica, R&B, and hip-hop. ~ Johnny Loftus & Corey Apar, Rovi
“Depresivo y Al Palo” pronto disponible en: http://negativerecords.bandcamp.com
Directora: Ivana Koszak
Producido por NO! y Arauco Audiovisuales
Siempre ví lo que busqué
lo que había detrás
A través de la pared
escuché vientos quebrar
Sólo tu voz será la que me acompañará
de un lado a otro entre estos días de mierda
Cuántas horas te encontré
y no supe qué decir
Si es el tiempo a quién maté
ya no hay nada para mi
Te recuerdo siempre acá, enseñándome a existir
las espinas ahí están, pero puedo pasar
Te recuerdo siempre acá, enseñándome a vivir
las espinas ahí están pero ahora puedo pasar
Like I said before….the mix is not dead! Hope you all enjoy this little sneak peek of the mix that so many people waited for. Until I release the full mix, I will see you then ;D
1. Daft Punk – Harder, Better, Faster, Stronger (Deadmau5 & Glenn Morrison Remix)
2. Daft Punk – DAFENDIRKET (The Windolls Remix) w/ Daft Punk – Phoenix
3. Daft Punk – Fresh (DJ Somiak Remix)
4. Daft Punk – Revolution 909 (Ditto Groove Edit)
5. Daft Punk – Da Funk (Joe Maz Remix)
6. Daft Punk – Around The World (PRA3 & Solar Shock Remix)
7. Daft Punk vs Avicii – Derezzed (DANK Remix)
8. Daft Punk – One More Time (Delirious & Alex K Bootleg) w/ Daft Punk – Harder, Better, Faster, Stronger (Dillon Francis Remix)
Организация концертов #SCB :
+380 (63) 824 70 60 Марина
+380 (63) 522 56 77 Роман
“Secret Cover Band Demo” – Action Street Prod.
Band Creator song recording of ” Days Go By ” Produced by Matt Savage of Band Creator/DexRecords 2011 (c)