band : Abrids
Genre : Alternative rock, grunge, indierock,
Track : #
Album : 9 (2014)
Full album on http://www.abrids.com/albums/part-9/
High quality album (Flac,wav) : http://www.delpot.com/
High quality album (flac, wav) freely avalaible on : http://www.delpot.com/telechargement-musique/
De la roacheru’ pentru voi un speed drawing care iti arata o idee despre cum ai putea sa iti faci un logo pentru o trupa de heavy metal.
Melodia de pe fundal-Killing Floor soundtrack
Programul in care am lucrat(nu e nevoide de download)- www.pixlr.com
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Multumesc pentru vizionare!
Forest Relativo Video official
Audio :Red Waves
Direccion y fotografia: Zabdiel Castaneda
Actrices: Iris Jaqueline, Zahira Michel y Allison Kaory.
Montréal punk/hardcore band 2nd Wave Mom plays their first ever show to a packed house at the Decadent Squalor April 11, 2013.
Isabella on screamz, Brad on guitar, Nicola on bass, and Shayla banging the drumz!
Upstairs at the El Mocambo in Toronto. 2009-12-28
Six Thirty Recordings & Kaama Kaama presents
Nothing live in Jakarta
Saturday, January 21st, 2016
Nothing formed in 2011 by Domenic Palermo. Previously, Palermo was the brains behind the early 2000’s hardcore punk act Horror Show, which was put on hold in 2002 after Palermo was incarcerated for a stabbing that eventually led to a 2 year prison sentence. Upon his return, Palermo would take a lengthy hiatus from music. In 2011, Palermo released a demo tape entitled Poshlost / пошлость under the moniker Nothing.
After several attempts at constructing a solid lineup for the band, Palermo met Brandon Setta. Setta would bring a lush, rich soundscape and a fresh approach to Palermo’s vision for the band.
MXPX was in Denver to play a sold out show but before taking care of the punk rock business, we stopped off at a wildlife reserve in the Denver area. The video explains it all. Sort of. Thank you Jason H.Z. for making no, forcing this to happen. For the full blog and photos go to my site below and click on blog. Thanks!
Find all my related sites right here: https://mikeherrera.net
Best Life. Culture, Travel, Food, Music, Discovery, Technology & Social Media.
Welcome to Best Life. I’m Mike Herrera.
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The band’s got everything what it takes to fill the musical void emerged after the death of Luciano Pavarotti.
live in the airballoon
Artspace Rondeel Maastricht (ARM)
go to: www.spoondoctoro.com
filmed by Electro Hydrogen Yoga master Roel Aerts for the Unprofessional Broadcasting Network
The term underground music has been applied to several artistic movements, such as the psychedelic music movement of the mid-1960s, but the term has since then come to be defined by any musical artist/band that avoids becoming a trend/mainstream. Other early “underground” bands include the Velvet Underground, MC5, The Grateful Dead, Patti Smith, and the Stooges. Frank Zappa tried to define “underground” by noting that the “mainstream comes to you, but you have to go to the underground.” In the 1960s, the term underground was associated with the hippie counterculture of young people who had dropped out of college and their middle class life to live in an off-the-grid commune of free love and cannabis. In modern popular music, the term “underground” refers to a performers or bands ranging from artists that do DIY guerilla concerts and self-recorded shows to those that are signed to small independent labels. In some musical styles, the term “underground” is used to assert that the content of the music is illegal or controversial, as in the case of early 1990s death metal bands in the US such as Cannibal Corpse for their gory cover art and lyrical themes. Black metal is also an underground form of music and its Norwegian scene are notorious for their association with church burnings, the occult, murders and their Anti-Christian views. All of extreme metal is considered underground music for its extreme nature.
Shlomo Sher’s “philosophy for artists” argues that there are three common misconceptions about the “underground”: that it refers exclusively to the rave/electronica scene; that it can be described with a vague, broad definition of “anything which is not mainstream”; and the myth that underground music is kept secret; he points out that no band or performer “exclud[es] virtually anyone or anything” using “secret passwords and hidden map points”. Instead, Sher claims that “underground music” is linked by shared values, such as a valuing of grassroots “reality” over music with “pre-wrapped marketing glossing it up”; sincerity and intimacy; freedom of creative expression is valued over commercial success; art is appreciated as deeply meaningful fashion; and the Underground “difficult to find”, because the scene hides itself from “less committed visitors” who would trivialize the music and culture.
In a Counterpunch magazine article, Twiin argues that “Underground music is free media”, because by working “independently, you can say anything in your music” and be free of corporate censorship. The genre of post-punk is often considered a “catchall category for underground, indie, or lo-fi guitar rock” bands which “initially avoided major record labels in the pursuit of artistic freedom, and out of an ‘us against them’ stance towards the corporate rock world”, spreading “west over college station airwaves, small clubs, fanzines, and independent record stores”. Underground music of this type is often promoted through word-of-mouth or by community radio DJs. In the early underground scenes, such as the Grateful Dead jam band fan scenes or the 1970s punk scenes, crude home-made tapes were traded (in the case of Deadheads) or sold from the stage or from the trunk of a car (in the punk scene). In the 2000s, underground music became easier to distribute, using streaming audio and podcasts.
Even some musical styles that eventually became mainstream, commercialized pop styles started out as underground music. Late 1970s disco is often considered to be a very commercialized type of pop music. However, before disco’s mainstream adoption in 1977 and 1978, disco records were underground music created by nightclub DJs for the gay dance club scene. Similarly, hip hop began “on the streets”; in the early 1980s, rappers did beatboxing and made up rhymes for tiny underground labels. Genres such as New Wave, no wave, noise, noise rock, alternative rock, grunge, various forms of heavy metal, grindcore, electronica, outsider music, and experimental music, also trace their roots to underground scenes.
A music underground can also refer to the culture of underground music in a city and its accompanying performance venues. The Kitchen is an example of what was an important New York City underground music venue in the 1960s and 1970s. CBGB is another famous New York City underground music venue claiming to be “Home of Underground Rock since 1973”.
TRAINING MOTIVATION MUSIC
WORKOUT MUSIC MOTIVATION
GYM MOTIVATION MUSIC
CROSS-FIT MOTIVATION MUSIC
FITNESS MUSIC MOTIVATION
THE BOOSTTER FOR SPORTS