Green Day – Bang Bang (NEW SONG 2016) – Drum Cover – Studio Quality (HD) – Drums Only

Green Day - Bang Bang (NEW SONG 2016) - Drum Cover - Studio Quality (HD) - Drums Only

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Watch the video with the original track by Green Day here:

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Green Day – Bang Bang – Drum Cover

Hey there YouTubers!! THANK YOU SO MUCH FOR WATCHING!! If you liked this video, PLEASE CLICK THAT THUMBS UP BUTTON, DROP ME A COMMENT, SHARE THIS VIDEO, & SUBSCRIBE TO MY CHANNEL so you can see when I post a new video! 🙂 MANY MORE COVERS & OTHER DRUMS-RELATED VIDEOS TO COME!! 🙂

This is a “Drums Only” version of this cover. My video with the original track has been blocked worldwide. Click the link at the top to watch the video on Vimeo with the original track by Green Day. =) I had to cover the new Green Day! I had a lot of fun rawking out with it! I hope you enjoy this! =)

External Drums by Daniel Roberts – DRobDrums

COPYRIGHT STATEMENT: This video is not intended to infringe any copyright laws in any way. This is for the sole purpose of entertainment; no profit is gained from this. It is the copyrighted property of its respective owner(s). I don’t own any rights to this song.

DRobDrums’ Gear –

DRUMS: Shine Custom Drums Definition Birch Series Kit in “Seawater Fade” – “Hi-Gloss Deep Lacquer Fade” – 22″x20″ kick, 12″x8″ rack tom, 14″x13″ floor tom, & 16″x15″ floor tom
www.shinedrums.com/products/definition/

SNARE DRUM: Vintage 1970 Ludwig Supraphonic

PEDAL(S): DW 5000 Series Double Chain Drive Double Pedal

CYMBALS: Zildjian, Sabian, & Wuhan cymbals –
Zildjian 14″ K Mastersound Hi-hats
Sabian 16″ AAXPlosion Crash (with an unlathed bell)
Zildjian 21″ Newly-redesigned A Series Sweet Ride
Zildjian 18″ K Custom Dark Crash
Zildjian 18″ A Custom Crash
Wuhan 18″ China

STICKS: Vic Firth American Classic Hickory 5AN

HEADS: (Batter Side)
Toms – Evans G2 Coated
Snare – Remo Coated Ambassador
Kick – Aquarian Super Kick II
All resonant heads are the stock Remo heads.

THRONE: Blue Roc-N-Soc Nitro with a built-in nitrogen gas shock absorber

RECORDING GEAR:

MICROPHONES: All Shure –
Shure SM57 on the snare + Shure PGDMK6 6-piece Performance Gear Drum Microphone Package – PG52 on the kick, PG56s with A50D mounting systems on all toms, & PG81 Overheads

RECORDING INTERFACE (AUDIO RECORDING): PreSonus FireStudio Project – 8-channel FireWire Recording Interface with 8 XMAX Class A Mic Pre-amps, Zero-latency mixing and routing, & adjustable phantom power every 2 channels.
https://www.presonus.com/products/FireStudio-Project
http://www.musiciansfriend.com/pro-audio/presonus-firestudio-project-recording-interface

COMPUTER: Mid-2012 15-inch MacBook Pro with a 2.6 GHz QuadCore Intel i7 Processor, 16 GB RAM, & a 1 TB 7200 RPM Hard Drive

DAW (DIGITAL AUDIO WORKSTATION) SOFTWARE – GarageBand ’11 – Version 6.0.5

CAMERAS: 1 GoPro Hero3+ Silver, 2 GoPro Hero3 White, & 1 New GoPro Hero

VIDEO EDITING SOFTWARE: Final Cut Pro – Version 10.0.9

IN-EAR MONITORS: 1964 EARS V6-Stage Six Driver CUSTOM FIT in-ear monitors
www.64audio.com – ABSOLUTELY AMAZING-SOUNDING & THE BEST-PRICED custom in-ear monitors out there today!! =D

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blink-183 performs “Enema of the State” at Zughaus Gallery in Berkeley, CA 12/17/11

blink-183 performs "Enema of the State" at Zughaus Gallery in Berkeley, CA 12/17/11





blink-183 performs “Enema of the State” at Zughaus Gallery in Berkeley, CA 12/17/11

1. Dumpweed
2. Don’t Leave Me (3:20)
3. Aliens Exist (5:40)
4. Going Away to College (8:50)
5. What’s My Age Again? (11:53)
6. Dysentery Gary (14:11)
7. Adam’s Song (17:31)
8. All the Small Things (22:42)
9. The Party Song (25:32)
10. Mutt (28:23)
11. Wendy Clear (32:21)
12. Anthem (36:00)

Encore:
13. Feeling This (41:29)
14. Carousel (44:16)
15. Dammit (47:02)

Website: http://thetetholiday.com/
Facebook: https://www.facebook.com/thetetholiday
Instagram: https://instagram.com/thetetholiday
Twitter: https://twitter.com/thetetholiday
Soundcloud: https://soundcloud.com/thetetholiday
Spotify: https://open.spotify.com/artist/1eNX6xlhFjPjMmatwvfwTZ
iTunes: https://itunes.apple.com/us/artist/the-tet-holiday/id1038558720
Songkick: https://www.songkick.com/artists/1016563-tet-holiday
Bandcamp: http://store.thetetholiday.com/

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HBTR – My New Love [Alternative, Country, Rock]

HBTR - My New Love [Alternative, Country, Rock]





Download HBTR – My New Love
https://www.jamendo.com/pl/track/1234861/my-new-love

Licensed under Creative Commons Attribution 3.0 Unported
http://creativecommons.org/licenses/by/3.0/

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Descent (alternative rock / grunge)

Descent (alternative rock / grunge)





band : Abrids
Genre : Alternative rock, grunge, indierock,
Track : Descent
Album : 9 (2014)
Full album on http://www.abrids.com/albums/part-9/

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Progressive Rock / Art Rock Mix [ Vol 1 ] Travelling To The Moon [Full Album]

Progressive Rock  / Art Rock Mix  [ Vol 1 ]  Travelling To The Moon [Full Album]





Collection: Travelling To The Moon
Genre: Progressive Rock, Art Rock, Instrunmental
———————————–

Remember – 00:00
Classic Monsters – 03:52
Black And White – 06:26
Travelling To The Moon – 09:54
Walls Around You – 13:32
Train Of The Forgotten Thoughts – 17:48
Sword Of Depress – 20:20
My Guitar Plays For You – 23:48
Memory – 26:40
Some Kind Of Light – 30:44
———————————–
Cover by Keltu of deviantart: Storm on the Sun

Copyrights Reserved
http://mechanicalchill.blogspot.gr/p/creative-commons.html

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9/9 Fall Out Boy – Light ‘Em Up + Saturday @ Merriweather Post Pavilion, Columbia, MD 6/27/15

9/9 Fall Out Boy - Light 'Em Up + Saturday @ Merriweather Post Pavilion, Columbia, MD 6/27/15





Yay for good sound! …even if stair gymnastics were involved to get a good view.

Fall Out Boy rose to the forefront of emo pop in the mid-2000s, selling more than four million albums thanks to the band’s tabloid-grabbing bassist, able-voiced frontman, and handful of Top 40 hits. The group’s four members first came together in suburban Wilmette, a bedroom community 14 miles north of Chicago, around 2001. Vocalist/guitarist Patrick Stump, bassist/lyricist Pete Wentz, drummer Andrew Hurley, and guitarist Joe Trohman had all taken part in various bands connected to Chicago’s underground hardcore scene. Most notably, Hurley drummed for Racetraitor, the furiously political metalcore outfit whose brief output was both a rallying point and sticking point within the hardcore community. As Fall Out Boy, the quartet used the unbridled intensity of hardcore as a foundation for melody-drenched pop-punk, with a heavy debt to the emo scene. They debuted with a self-released demo in 2001, following it up in May 2002 with a split LP (issued on the Uprising label) that also featured Project Rocket, for which Hurley also drummed. The band remained with the label for the release of a mini-LP, Fall Out Boy’s Evening Out with Your Girl, but a bidding war of sorts was already in full swing.

Fall Out Boy eventually signed a deal with Fueled by Ramen, the Florida-based label co-owned by Less Than Jake drummer Vinnie Fiorello, but also received an advance from Island Records to record a proper debut album. The advance came with a right of first refusal for Island on Fall Out Boy’s next album, but it also financed the recording of Take This to Your Grave, which occurred at Butch Vig’s Smart Studios compound in Madison, Wisconsin, with producer Sean O’Keefe (Lucky Boys Confusion, Motion City Soundtrack) at the helm. Take This to Your Grave appeared in May 2003, and Fall Out Boy earned positive reviews for subsequent gigs at South by Southwest and various tour appearances. Their breakout album, the ambitious From Under the Cork Tree, followed in spring 2005, quickly reaching the Top Ten of Billboard’s album chart and spawning two Top Ten hits with “Sugar We’re Going Down” and the furiously upbeat “Dance, Dance.” The album went double platinum and earned the musicians a Grammy nomination for Best New Artist.

Fall Out Boy’s underground star status — driven by the especially extroverted Wentz, who also gained exposure with his clothing line, his Decaydance record label (an imprint of Fueled by Ramen), and eventually a celebrity relationship with Ashlee Simpson — had boiled over into the mainstream. They toured extensively, supporting the album with international tours, arena shows, TRL visits, late-night television gigs, and music award shows. Without taking a break, the guys then hunkered down to work on their follow-up record with From Under the Cork Tree producer Neil Avron (and, somewhat surprisingly, Babyface). Infinity on High, whose title was taken from a line in one of Van Gogh’s personal letters, appeared in early February 2007, spearheaded by the hit single “This Ain’t a Scene, It’s an Arms Race.” The album continued Fall Out Boy’s streak, debuting at number one on the Billboard charts and going platinum one month later. Released in early 2008, the CD/DVD package Live in Phoenix documented the band’s strength as a flashy live act, while the full-length studio effort Folie à Deux followed later that year.

Recording sessions for Folie à Deux were tough, prompting the band to take an open-ended hiatus soon after the album’s release. Joe Trohman and Andy Hurley joined a new band, Damned Things, during the interim, while Wentz teamed up with a new vocalist, Bebe Rexha, to form Black Cards. Stump took the opportunity to launch a solo career, ditching his band’s emo pop music in favor of a more electronic, R&B-influenced sound.

Stump released his debut solo album Soul Punk in 2011 and, despite some positive reviews, the album didn’t catch fire. Pete Wentz spent time with a new band called Black Cards, but that also didn’t really go anywhere, and it wasn’t long before rumors of a Fall Out Boy reunion began to swirl. In February 2013 the band confirmed that the rumors were true: they had reunited for a new album called Save Rock & Roll and an accompanying tour. Save Rock & Roll was released in April of 2013, preceded by the single “My Songs Know What You Did in the Dark (Light ‘Em Up).” Just shy of two years later, in January 2015, the band unveiled their sixth album, American Beauty/American Psycho. Produced in part by J.R. Rotem and SebastiAn, it was a wholly modern effort that combined Fall Out Boy’s core punk-pop sound with elements of electronica, R&B, and hip-hop. ~ Johnny Loftus & Corey Apar

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