PDX Hardcore fest Dead Kid Schmello part 7

hc fest name this band part 7


Pipe Choir – Dream On [Indie Rock] from Royalty Free Planet™

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Song: Dream On
Artist: Pipe Choir
Direct Download: http://bit.ly/DreamOn_Download

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License: Creative Commons Attribution 3.0 – http://bit.ly/RFP_CClicense
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Best Hard Rock Metal Workout Music Gym Motivation




Jamaican Top 10 Chart | December 21 (Week 51)

Here are the Top 10 songs from AFRICA, UK, USA, JAMAICA & LATIN AMERICA. Everyday from Monday to Friday & a special feature. Please Support us.


Cm Punk VS Mickey Gall Full Fight UFC 203


Scare Chords – Act 1 – Scene 4 – Post-Punk

Post-Punk / Shoegaze / Ambient / Post-Rock from Germany

Bandcamp: https://scarechords.bandcamp.com/

Band: Scare Chords
Album: Act 1
Genre: Post Punk / Shoegaze / Ambient / Post-Rock
Country: Germany
Year: 2016


AL KAPOTT -Si seulement

AL KAPOTT, Punk Rock de Brest, en concert le 31 août 2008 aux BEAUX DIMANCHES de la rue saint Malo organisés par l’association VIVRE LA RUE à Brest Recouvrance 29.

Formé en pleine vague punk dans les années 1980, AL KAPOTT est de retour après 18 ans de séparation.
Le groupe n’est pas resté inactif pendant toutes ces années. Les musiciens ont intégrés des groupes comme No place for soul, Hoax, ou encore Mass Hystéria.
Ce qui a motivé le groupe à remonter sur scène, c’est le public, un public demandeur de musique forte.

Formed in full wave punk in the 1980’s, AL Kapott is back after 18 years of separation.The group did not remain idle for all these years. The musicians have included groups like no place for soul, Hoax, or Mass Hystéria. This in turn prompted the group to take the stage, the public, a public plaintiff to loud music.


2/9 Fall Out Boy – The Phoenix + Sixteen Candles @ Merriweather Post Pavilion, MD 6/27/15

Yay for good sound! …even if stair gymnastics were involved to get a good view.

Fall Out Boy rose to the forefront of emo pop in the mid-2000s, selling more than four million albums thanks to the band’s tabloid-grabbing bassist, able-voiced frontman, and handful of Top 40 hits. The group’s four members first came together in suburban Wilmette, a bedroom community 14 miles north of Chicago, around 2001. Vocalist/guitarist Patrick Stump, bassist/lyricist Pete Wentz, drummer Andrew Hurley, and guitarist Joe Trohman had all taken part in various bands connected to Chicago’s underground hardcore scene. Most notably, Hurley drummed for Racetraitor, the furiously political metalcore outfit whose brief output was both a rallying point and sticking point within the hardcore community. As Fall Out Boy, the quartet used the unbridled intensity of hardcore as a foundation for melody-drenched pop-punk, with a heavy debt to the emo scene. They debuted with a self-released demo in 2001, following it up in May 2002 with a split LP (issued on the Uprising label) that also featured Project Rocket, for which Hurley also drummed. The band remained with the label for the release of a mini-LP, Fall Out Boy’s Evening Out with Your Girl, but a bidding war of sorts was already in full swing.

Fall Out Boy eventually signed a deal with Fueled by Ramen, the Florida-based label co-owned by Less Than Jake drummer Vinnie Fiorello, but also received an advance from Island Records to record a proper debut album. The advance came with a right of first refusal for Island on Fall Out Boy’s next album, but it also financed the recording of Take This to Your Grave, which occurred at Butch Vig’s Smart Studios compound in Madison, Wisconsin, with producer Sean O’Keefe (Lucky Boys Confusion, Motion City Soundtrack) at the helm. Take This to Your Grave appeared in May 2003, and Fall Out Boy earned positive reviews for subsequent gigs at South by Southwest and various tour appearances. Their breakout album, the ambitious From Under the Cork Tree, followed in spring 2005, quickly reaching the Top Ten of Billboard’s album chart and spawning two Top Ten hits with “Sugar We’re Going Down” and the furiously upbeat “Dance, Dance.” The album went double platinum and earned the musicians a Grammy nomination for Best New Artist.

Fall Out Boy’s underground star status — driven by the especially extroverted Wentz, who also gained exposure with his clothing line, his Decaydance record label (an imprint of Fueled by Ramen), and eventually a celebrity relationship with Ashlee Simpson — had boiled over into the mainstream. They toured extensively, supporting the album with international tours, arena shows, TRL visits, late-night television gigs, and music award shows. Without taking a break, the guys then hunkered down to work on their follow-up record with From Under the Cork Tree producer Neil Avron (and, somewhat surprisingly, Babyface). Infinity on High, whose title was taken from a line in one of Van Gogh’s personal letters, appeared in early February 2007, spearheaded by the hit single “This Ain’t a Scene, It’s an Arms Race.” The album continued Fall Out Boy’s streak, debuting at number one on the Billboard charts and going platinum one month later. Released in early 2008, the CD/DVD package Live in Phoenix documented the band’s strength as a flashy live act, while the full-length studio effort Folie à Deux followed later that year.

Recording sessions for Folie à Deux were tough, prompting the band to take an open-ended hiatus soon after the album’s release. Joe Trohman and Andy Hurley joined a new band, Damned Things, during the interim, while Wentz teamed up with a new vocalist, Bebe Rexha, to form Black Cards. Stump took the opportunity to launch a solo career, ditching his band’s emo pop music in favor of a more electronic, R&B-influenced sound.

Stump released his debut solo album Soul Punk in 2011 and, despite some positive reviews, the album didn’t catch fire. Pete Wentz spent time with a new band called Black Cards, but that also didn’t really go anywhere, and it wasn’t long before rumors of a Fall Out Boy reunion began to swirl. In February 2013 the band confirmed that the rumors were true: they had reunited for a new album called Save Rock & Roll and an accompanying tour. Save Rock & Roll was released in April of 2013, preceded by the single “My Songs Know What You Did in the Dark (Light ‘Em Up).” Just shy of two years later, in January 2015, the band unveiled their sixth album, American Beauty/American Psycho. Produced in part by J.R. Rotem and SebastiAn, it was a wholly modern effort that combined Fall Out Boy’s core punk-pop sound with elements of electronica, R&B, and hip-hop. ~ Johnny Loftus & Corey Apar


Zildjian – 4 Chinas Comparison (Metal Improvisation)

Hi there !

I recently bought some cymbal stand and was able to put all of my cymbals on y drumset. Just wanted to mess round a big set of cymbals and give you a little comparison of several chinas from Zildjian !

Tell me which one is your favorite !

– Braving The Cold’s Facebook Page : https://www.facebook.com/bravingthecold

– Like A Beautiful Sight (Album) : https://www.youtube.com/watch?v=u9yvviSMc_k&list=PLyz5m7NmLW4kKz5WvEiUAOuNUSYmp5sR9

– Breathless (ex-Braving The Cold) – Orchestra EP :

Gear used :

Drums :
Tama Starclassic Maple, Silver Snow Racing Stripes
– 22″x18″ kickdrum x2
– 12″x09″ rack tom
– 13″x10″ rack tom
– 16″x16″ floor tom

Snare :
14″x08″ Tama Starclassic Bubinga, Satin Bubinga

Cymbals : (from left to right)
– 18″ Z3 China
– 13″ A Custom Hi-hats
– 16″ Oriental China Thrash
– 17″ Z3 Medium Crash
– 7″ Stagg Black Metal Bell
– 10″ A Custom Splash
– 8″ Paiste PST5 Splash
– 18″ Z3 Medium Crash
– 18″ Z3 China
– 21″ Z3 Megabell Ride
– 20″ A Custom China

Hardware :
Axis A Longboard w/ E-Kits triggering system
Gibraltar Road rack, GRS-850DBL
Tama Iron Cobra Velo Glide Hi-hats Stand

Mics : All Shure
Snare : SM-57 (top) and Beta-57 (bottom)
Toms : Beta98-AMP
Overheads : SM-81
Hi-hats / Ride : SM-137

Electronics :
Roland TM-2 Trigger Module
Focusrite Saffire Pro 40 as sound interface (8 XLR inputs)
Focusrite OctoPre MKII (to add 8 XLR inputs)
Daw used is Logic Pro X
Mixed with Event Opal speakers
I play with Shure SE535-V in-ear monitors


My Top 30 NWoBHM Songs.

Yet, I wanted to add the Motorhead, Iron Maiden and other songs of the Saxon but they don’t be monetized.