Garage-punk band from Moscow. Founded in 2007. The idea was just to play raw punk and rock-n-roll as we all heard on New York Dolls early demos. Andrey worked in music mag and played bass in friendly heavy metal band. And suddenly understood – he’s got something to say. Each song is a true story about streets, girls, drugs and so on. Mess. played lots of gigs in Moscow, St.-Petersburg, Kyiv, Vladimir, Nizhny Novgorod. Some of gigs they can hardly remember. In 2010 the band recorded 1-st LP ‘Mess’ and went on tour. After long pause they returned to the scene with saxophonist and new songs. LP ‘Lucky One’ was recorded at exellent ‘Music street studio’, which was later – destroyed by city government.
Андрей Шерыханов – вокал
Антон Кириллов – гитара
Александр Давлетбаев – барабаны
Дмитрий Бодров – бас
Петр Чайников – саксофон
Artwork by Дмитрий Соколов
Photo by Марат Никитин
Record in Music street studio
live concert video of the band DIRTY FONZY in PARIS the 27 SEPTEMBER 2012 playing the song with popolar songs like RADIO N°1 or HERE WE GO AGAIN or THE WORST similar to the band SONS OF BUDDHA or DIRTY FONZY or JUSTIN(E) or LEPTIK FICUS
My Baby She Glows In The Dark * The Rousers * w/ Philippé Marcadé HD edit
Mayday 2 Punk Rock Allstars @ (le) poison rouge
Philippé Marcadé * Bill Dickson * Tom Milmore * Sal Cappi * Brett Wilder * P.f. Flyer
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What is FOLK MUSIC? What does FOLK MUSIC mean? FOLK MUSIC meaning – FOLK MUSIC definition – FOLK MUSIC explanation.
Source: Wikipedia.org article, adapted under https://creativecommons.org/licenses/by-sa/3.0/ license.
Folk music includes both traditional music and the genre that evolved from it during the 20th century folk revival. The term originated in the 19th century but is often applied to music that is older than that. Some types of folk music are also called world music.
Traditional folk music has been defined in several ways: as music transmitted orally, or as music with unknown composers. It has been contrasted with commercial and classical styles. One meaning often given is that of old songs with no known composers; another is music that has been transmitted and evolved by a process of oral transmission or performed by custom over a long period of time.
Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk revival music to distinguish it from earlier folk forms. Smaller similar revivals have occurred elsewhere in the world at other times, but the term folk music has typically not been applied to the new music created during those revivals. This type of folk music also includes fusion genres such as folk rock, folk metal, electric folk, and others. While contemporary folk music is a genre generally distinct from traditional folk music, in English it shares the same name, and it often shares the same performers and venues as traditional folk music. Even individual songs may be a blend of the two.
The band’s got everything what it takes to fill the musical void emerged after the death of Luciano Pavarotti.
live in the airballoon
Artspace Rondeel Maastricht (ARM)
go to: www.spoondoctoro.com
filmed by Electro Hydrogen Yoga master Roel Aerts for the Unprofessional Broadcasting Network
The term underground music has been applied to several artistic movements, such as the psychedelic music movement of the mid-1960s, but the term has since then come to be defined by any musical artist/band that avoids becoming a trend/mainstream. Other early “underground” bands include the Velvet Underground, MC5, The Grateful Dead, Patti Smith, and the Stooges. Frank Zappa tried to define “underground” by noting that the “mainstream comes to you, but you have to go to the underground.” In the 1960s, the term underground was associated with the hippie counterculture of young people who had dropped out of college and their middle class life to live in an off-the-grid commune of free love and cannabis. In modern popular music, the term “underground” refers to a performers or bands ranging from artists that do DIY guerilla concerts and self-recorded shows to those that are signed to small independent labels. In some musical styles, the term “underground” is used to assert that the content of the music is illegal or controversial, as in the case of early 1990s death metal bands in the US such as Cannibal Corpse for their gory cover art and lyrical themes. Black metal is also an underground form of music and its Norwegian scene are notorious for their association with church burnings, the occult, murders and their Anti-Christian views. All of extreme metal is considered underground music for its extreme nature.
Shlomo Sher’s “philosophy for artists” argues that there are three common misconceptions about the “underground”: that it refers exclusively to the rave/electronica scene; that it can be described with a vague, broad definition of “anything which is not mainstream”; and the myth that underground music is kept secret; he points out that no band or performer “exclud[es] virtually anyone or anything” using “secret passwords and hidden map points”. Instead, Sher claims that “underground music” is linked by shared values, such as a valuing of grassroots “reality” over music with “pre-wrapped marketing glossing it up”; sincerity and intimacy; freedom of creative expression is valued over commercial success; art is appreciated as deeply meaningful fashion; and the Underground “difficult to find”, because the scene hides itself from “less committed visitors” who would trivialize the music and culture.
In a Counterpunch magazine article, Twiin argues that “Underground music is free media”, because by working “independently, you can say anything in your music” and be free of corporate censorship. The genre of post-punk is often considered a “catchall category for underground, indie, or lo-fi guitar rock” bands which “initially avoided major record labels in the pursuit of artistic freedom, and out of an ‘us against them’ stance towards the corporate rock world”, spreading “west over college station airwaves, small clubs, fanzines, and independent record stores”. Underground music of this type is often promoted through word-of-mouth or by community radio DJs. In the early underground scenes, such as the Grateful Dead jam band fan scenes or the 1970s punk scenes, crude home-made tapes were traded (in the case of Deadheads) or sold from the stage or from the trunk of a car (in the punk scene). In the 2000s, underground music became easier to distribute, using streaming audio and podcasts.
Even some musical styles that eventually became mainstream, commercialized pop styles started out as underground music. Late 1970s disco is often considered to be a very commercialized type of pop music. However, before disco’s mainstream adoption in 1977 and 1978, disco records were underground music created by nightclub DJs for the gay dance club scene. Similarly, hip hop began “on the streets”; in the early 1980s, rappers did beatboxing and made up rhymes for tiny underground labels. Genres such as New Wave, no wave, noise, noise rock, alternative rock, grunge, various forms of heavy metal, grindcore, electronica, outsider music, and experimental music, also trace their roots to underground scenes.
A music underground can also refer to the culture of underground music in a city and its accompanying performance venues. The Kitchen is an example of what was an important New York City underground music venue in the 1960s and 1970s. CBGB is another famous New York City underground music venue claiming to be “Home of Underground Rock since 1973”.