Garage-punk band from Moscow. Founded in 2007. The idea was just to play raw punk and rock-n-roll as we all heard on New York Dolls early demos. Andrey worked in music mag and played bass in friendly heavy metal band. And suddenly understood – he’s got something to say. Each song is a true story about streets, girls, drugs and so on. Mess. played lots of gigs in Moscow, St.-Petersburg, Kyiv, Vladimir, Nizhny Novgorod. Some of gigs they can hardly remember. In 2010 the band recorded 1-st LP ‘Mess’ and went on tour. After long pause they returned to the scene with saxophonist and new songs. LP ‘Lucky One’ was recorded at exellent ‘Music street studio’, which was later – destroyed by city government.
Андрей Шерыханов – вокал
Антон Кириллов – гитара
Александр Давлетбаев – барабаны
Дмитрий Бодров – бас
Петр Чайников – саксофон
Artwork by Дмитрий Соколов
Photo by Марат Никитин
Record in Music street studio
What is AUSTRALIAN NEW WAVE? What does AUSTRALIAN NEW WAVE mean? AUSTRALIAN NEW WAVE meaning – AUSTRALIAN NEW WAVE definition – AUSTRALIAN NEW WAVE explanation.
Source: Wikipedia.org article, adapted under https://creativecommons.org/licenses/by-sa/3.0/ license.
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The Australian New Wave (also known as the Australian Film Revival, Australian Film Renaissance, or New Australian Cinema) was an era of resurgence in worldwide popularity of Australian cinema, particularly in the United States. It began in the early 1970s and lasted until the mid-late 1980s.
The era marked the emergence of Ozploitation, a film genre characterised by the exploitation of colloquial Australian culture.
The Australian film industry declined after World War II, coming to a virtual stop by the early 1960s. The Gorton (1968–71) and Whitlam Governments (1972–75) intervened and rescued the industry from its expected oblivion. The federal and several state governments established bodies to assist with the funding of film production and the training of film makers through the Australian Film Television and Radio School, which fostered a new generation of Australian filmmakers who were able to bring their visions to the screen. The 1970s saw a huge renaissance of the Australian film industry. Australia produced nearly 400 films between 1970 and 1985, more than had been made in the history of the Australian film industry.
In contrast to pre-New Wave films, New Wave films are often viewed as fresh and creative, possessing “a vitality, a love of open spaces and a propensity for sudden violence and languorous sexuality”. The “straight-ahead narrative style” of many Australian New Wave films reminded American audiences of “the Hollywood-maverick period of the late 1960s and early ’70s that had just about run its course”.
Several films of the Australian New Wave are regarded as classics of world cinema and have been ranked among films considered the best. Published in 2004, The New York Times Guide to the Best 1,000 Movies Ever Made includes Walkabout, Mad Max, Breaker Morant, Gallipoli, The Road Warrior, The Year of Living Dangerously and Dead Calm. In 2008, Empire magazine chose The Road Warrior and The Year of Living Dangerously as two of the 500 Greatest Movies of All Time, ranking in at #280 and #161 respectively. The 2011 book 1001 Movies You Must See Before You Die features Walkabout, Picnic at Hanging Rock, The Last Wave, The Chant of Jimmie Blacksmith, My Brilliant Career, Mad Max and Gallipoli.
Since its re-release in 2009, Wake in Fright has been assessed as one of, if not the greatest, Australian New Wave film.
PHYZZ Band performed at Mansfield VFW on March 22, 2014
Rock band member are left to right:
John Parker, back Kevin Williams, female vocalist Shannon M. Niver, back on drums is Jamie Huslander and last is singer & guitar player Paul Speck.
No video can capture the real sound of this rock band. Talented and hot.